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AP English Literature and Composition (Period five) Assignments

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Past Assignments

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Assignment

Finish reading The Little Prince. There will be a Socratic Seminar in class on Tuesday. You will do better in this Seminar if you have notes or annotations.
 

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Assignment

Read to the end of chapter 12 in The Little Prince.
There is an audio link here....
 
and here:
 
The second one is broken into chapters.
I am not sure which is better...you may need to noodle around a little bit.

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Assignment

1. Rewrite/improve the introduction to your "We and They" on-demand essay. Use the blank space. Feel free to "use" ideas and stuff from the model essay below, but be careful. Your introduction will need to match YOUR ESSAY. I am not worried about you plagiarizing--I am worried about you not thinking and copying...
 
2. Rewrite your claim for the Frankenstein/Fifth Child essay that was just returned. Only rewrite the claim. You might have a one sentence claim or a three sentence claim. Your claim will be scored on a 1-10 scale--the points will go into your test grade.
 

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Assignment

I class first thing, you will write a 40-minute on-demand essay on "We and They" or on "The Mirror."
 
Prepare "Sonnet 29," "Death Be Not Proud," and "He Wishes for Cloths of Heaven."

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Assignment

Read an annotate the three poems you were given.
Mirror by S. Plath
 
The Cinnamon Peeler by Michael Ondaatje
 
We and They by R. Kipling
 

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Assignment

Prepare the prompt(s) that were passed out--see below for electronic copies. You will not get to choose. You will be given one of the two prompts. Notice how both relate to the conversation we had in class on Tuesday.
 
Prepare the poem that was passed out. Annotate it.
Many of you have seen it before--that's okay. It is still a good poem that will help you prepare for the AP Lit test.
 
 

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Assignment

A Diagnostic Test on SHMOOP is not a Practice Test!!!!
5 points for the diagnostic test.
25 points for the first Practice Test.
 

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REQUIRED
Read and highlight/annotate the two articles I handed out.
1. The excerpt about Frankenstein from The Madwoman in the Attic by Gilbert and Gubar
2. The excerpt by Steven Pinker from How the Mind Works. 
Be prepared to discuss both in Socratic Seminar (along with the ending of Frankenstein)
 
Required:Take at least one AP Lit practice test on SHMOOP!
 
  
You do not need to do any writing--just "do" the multiple choice.
Remember, your user name is a 3/5/3 (first three letters of your first name, first five letters of your last name, last three digits of your student id number). 
Your password is your brithday in a 2/2/2 format--month, day, year -- I am August 10, 1969 which equals 081069.
As always, if you do more, you will earn extra credit points.
 
Join our AP Lit classroom with the code: ea452
Bronwyn's email is [email protected] (not the school email--don't abuse it and send me lots of spam...).
 
The key to navigating is to go to your useername in the top right hand corner and open the drop-down menu--go to "Passes."
Scroll to AP English Literature and Composition prep.
 
Extra Credit
Read The Fifth Child--you will earn your extra credit by referencing this text in Socratic Seminar. You will of course have to refer to specific moments/textual evidence. 
The book is only 133 pages with big type and wide margins. The first time I read it it only took me about three hours. The story is "easy" and moves fast. 
But Doris Lessing got the Nobel Prize in Literature. The book is CANONICAL.
No one reads it--why? Who knows...but the book absolutely links up to our nurture/nature --holy cow what have I created!!??? discussion.
How much extra credit....well, depends on your thoughtfulness in Socratic Seminar. And if Socratic Seminar "scares" you, you can always write me an informal response about "your thoughts" and still get extra credit.
 

Due:

Assignment

Read to the end of Frankenstein. In the yellow book that is 211 (25 pages total--no afterword) in the orange/maroon book 233 (30 pages--no afterword).
 
Thank you again for the brave discussion. You have always been and you remain the finest people I have ever met.
And because of this fact, I remain personally affronted every time a college or university says "no" to you. I cannot help but wonder, "Are they BLIND?"
You are courageous and kind and smart. You are disciplined and fearless and resilient. I wish that I had had half your brains and your character when I was a senior in high school.
 
And I also am thinking....because you are so brave and smart and capable: will you be multi-cultural and multi-racial? Will you have the resilience and innate cultural awareness to move effortlessly between many micro-cultures? Between home and school and career and friend cultures?
Will your culture be the one you choose? Or rather will your culture be the people whom you choose to populate your culture?
Maybe that is what you were trying to explain to me....
You are so smart.
 
If there is something you think you want to say to me that you didn't want to say verbally in front of everyone, feel free to stop by or drop me a line. (Remember, I do not text.)
 
--with much affection, bronwyn
 

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Assignment

Read to the end of chapter 22 in Frankenstein--only nine pages--ONE CHAPTER (you can do it!).
Complete your assigned number for the notes--be prepared to discuss and explain and function as an expert. In other words, assume you will need to teach this number to the rest of the class.

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Read to the end of chapter 21 in Frankenstein.

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Read to the end of chapter 16 in Frankenstein.

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Read to the end of chapter 13 in Frankenstein. Be prepared for a quiz!

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Read chapters 7-8 in Frankenstein.

See below for significant passages.

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Assignment

Read an annotate "The Rime of the Ancient Mariner"--be able to explain how this poem connects to the Letters that begin Frankenstein.
If you would like to listen along, go to...the poem is long and has been broken into three parts on YouTube.
 
 
 

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Assignment

In Frankenstein, read pages 32-63 (Permabound/Tor) or pages 16-68 (Signet).
Prepare the significant passages (see below).

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Assignment

In Frankenstein, read pages 1-31 (Permabound/Tor) or pages 15-41 (Signet).
Prepare the significant passages (see below).

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Assignment

See below.
 
 

Now that we have had Socratic Seminar, I feel as if nothing is settled. I feel even more unsettled.

Choose a topic and write me an informal response. Your work must be at least a typed page long. Stay focused.

 

Caliban

What does it mean that he is left all alone on the island? Why is he left all alone? Why does Prospero reject him as a possible mate for Miranda? What makes him “monstrous?”

 

You taught me language; and my profit on't
Is, I know how to curse. The red plague rid you
For learning me your language!  (Act I, ii).

 

He sounds like Hareton Earnshaw. Is Hareton Earnshaw a sort of Caliban? How is Hareton redeemed? Both are orphans who are oppressed by tyrannical masters.

 

 

A devil, a born devil, on whose nature
Nurture can never stick; on whom my pains,
Humanely taken, all, all lost, quite lost;
And as with age his body uglier grows,
So his mind cankers. (Act IV, i)

Is this assessment of Caliban just?

 

 

“…this thing of darkness I /Acknowledge mine (V,i).

 

Is Prospero responsible for Caliban?

 

 

Miranda

Why is it significant that Miranda believes Ferdinand is divine? And Tess also believes that Angel is a god, but Tess’ response to her awareness of his divinity is different….

 

 

Do both Prospero and Joan Durbeyfeld trade on the virginity of their daughters? Do they commodify their daughters? Does Polonius do the same to Ophelia? What about Angela Vicario’s mother and blind father?

What is the only book we have read that makes no mention at all of female virginity?

 

Are both Tess and Miranda outside of culture? In ways that are both similar and different?

 

 

Caliban links Prospero to books and Miranda to a brood--Prospero to knowledge and Miranda to the creation of a family.

 

Or whatever else pleases you and feel significant! J

Due:

Assignment

Get a copy of Frankenstein from the library--bring this copy to class.
 
Collect piece of direct textual evidence about Miranda: how is she described by Prospero, by Ferdinand, by Caliban?
Find moments when she seems to act in a way that is not appropriate to her gender--in other words, find moments that demonstrate that she has grown up outside of culture.
Find moments that reveal how she perceives her world.
 
On Monday, we will have a Socratic Seminar about The Tempest.
 
Is Miranda the "new" Tess?

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Assignment

Complete the notes that were handed out. See below.
Watch
and take Cornell notes--two pages.

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Assignment

Complete the notes for The Tempest Act I, ii.
Read on your own to the end of Act III, iii.
 
Go to
start at 1:03.07 and go to the bottom of page 40 --Caliban will speak--he will argue that Prospero stole the island through magic. This link is the Helen Mirren --Prospero as a woman version.
 
This link is a BBC production. If you use this link to watch and listen along.
go to 1:07.59 and you will find yourself in the middle of page 40--Ariel is about to appear. Yes, the staging is goofy, but the words are there and the actors seem to be pretty good at voicing the Shakespeare.

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Assignment

Watch the first 30 minutes of this link--take notes on what you notice.....be prepared to DISCUSS.
 
 

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Read an annotate the two poems that were handed out: Ione, Dead the Long Year  by Ezra Pound and Do not go gentle into that good night by Dylan Thomas.

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Prepare one of the open prompts--you will write a 90 minute essay in class on Thursday on Hamlet using the prompt of your choice.
 

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Assignment

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Identify the piece of text from Hamlet that has the most resonance for you. Copy that piece of text out--NO MORE THAN TWO SENTENCES--and explain why this language is so significant to you.
 
The verb to resonate suggests that something has created a empathetic echo or a responsive emotion in the reader.
 
This work can be personal in nature--you may use the "I." This work must be typed. This work should be about 300 words. This work should include--in no particular order--an analysis of language, a connect to the text as a whole, an awareness of the context of the utterance, and a clear indication of why--out of allthe language in Hamlet--you chose these lines.

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Assignment

1. Go to http://video.pbs.org/video/2333221759/ and watch PBS's video about performing Hamlet. I have a DVD version of this program as well if you need to borrow it.
 

SHAKESPEARE UNCOVERED

Hamlet with David Tennant

  • Aired: 02/08/2013
  • 52:30
  • Expires: 02/07/2016
To be, or not to be: that is the question. David Tennant meets fellow actors who’ve taken on Hamlet and compares notes on how to play a character that's been played, probably, a million different ways.
 
 
 2. Go to http://www.thisamericanlife.org/radio-archives/episode/218/act-v and listen to NPR's This American Life podcast about actor in a prion who perform Hamlet. I expect you to take at least one page of notes. 

218: Act V

AUG 9, 2002
We devote this entire episode to one story: Over the course of six months, reporter and TAL contributor Jack Hitt followed a group of inmates at a high-security prison as they rehearsed and staged a production of the last act—Act V—of Hamlet.

 

 3. Find your lengthy list of open AP prompts. Which two prompts would you choose to write about if the "assigned" text was Hamlet? In other words, which two are the best match to Hamlet?

Due:

Assignment

The notes for Act V Hamlet are due on Wednesday.
Please complete the writing response about fatalism. Write me a 300-plus word response to the question: What is Hamlet arguing? Use textual evidence from the text on the handout. You are reading closely--focusing on the language. 
You may use the "I" in your response.
Your work must be typed.
 
We will finish the play on Wednesday. There is a "big" --two hour at least assignment on Wednesday night for Friday--you may want to be a head start on the assignment over the weekend.
 
On Friday we will discuss the play. Over the weekend--22 February for 25 February 2014-- you will write.

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Assignment

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Assignment

Complete the Act III notes--pages 2-3--we already discussed a lot of the material.
Read and reread and read again Act III, iv--when you get to class on Friday, you will watch this scene. Then you will take a test on this scene to see if you have really studied the language.

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Assignment

DO NOT the notes from Act III of Hamlet. Go to the FASFA workshop!!!

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GO TO THE FASFA WORKSHOP!!!!!!!!!!!!!!!!!!!!!!!!

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Complete the notes for Act II -- Hamlet.

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Complete the Hamlet notes for Act I.

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Yes, another soliloquy to translate.
This one is #3--if you were absent: Ellie, Jessica, and Stephanie H.--come by and pick up the notes.
Athletes: we watched to the last 10 minutes of the Mel Gibson version of the Hamlet play.
I am not posting the notes, here, because I for got to put that file on my flashdrive before I left school on Friday...sorry.

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Assignment

Annotate the "Too too solid flesh" Soliloquy--the paper should look like it has been through a war of the pencil--I want it covered with your thoughtful thoughts!

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Annotate the "To Be or Not To Be" Soliloquy--the paper should look like it has been through a war of the pencil--I want it covered with your thoughtful thoughts!

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Assignment

Take one and a half pages of thoughtful Cornell notes on your chosen prompt (see below if you lost the HUGE list of AP Lit Exam "Open Prompts."
Take notes on evidence you would use, ideas, opening sentences, possible claims...

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Assignment

One page, typed, double-spaced, no heading only name response: "In Chronicle of a Death Foretold by Garcia-Marquez, I think the author is trying to communicate...."
 
Using the "I" is okay....
Using textual references is better....
Stay focused on one topic or one flow--don't bounce around...
Thorough, thorough analysis of language is not necessary...

Due:

Assignment

Be prepared for Socratic Seminar on Chronicle of a Death Foretold.

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Assignment

Read Chronicle of a Death Foretold. Come get this text from me if you have not already done so....the text is only 113 pages long....
Annotate, etc.
We will be having a Socratic Seminar discussion about this text on Monday, 13 January 2014.
On Tuesday, we will start to unpack issues of class. We will try to untangle the complex narrative frame. We will start to unravel how a man's honor is determined by a woman's behavior. (So there are many links to Wuthering Heights and Tess of the D'Urbervilles.) 
We will also discuss how this text has a strong sense of place that seemingly over-determines the possibilities of the novel.
We will celebrate the fact that we are reading a Hispanic/Latino author for once--we are expanding our horizons!!!
Did you know that in college you can major in Latin-American Literature????
 
Come to class having read. Don't stress. Just read. 
 
Also--please consider this fact in 1982 "open-question" for the AP Lit test was the following:

1982. In great literature, no scene of violence exists for its own sake. Choose a work of literary merit that confronts the reader or audience with a scene or scenes of violence. In a well-organized essay, explain how the scene or scenes contribute to the meaning of the complete work. Avoid plot summary.

 

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Assignment

Final draft due AT THE BEGINNING OF CLASS.

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Assignment

A complete edited draft of the introduction plus all body paragraphs is due.
Please bring in a printed out copy.
In class, we will discuss writing a conclusion, 

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You need to have an introduction and three body paragraphs for class on Thursday.
You will probably need to rewrite/edit/improve/refine your body paragraphs based on what you learned in class on Tuesday.

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Assignment

You must have at least three body paragraphs written.
In other words, you should have the bulk of the body of your paper written. 
Make sure that we can access this work electronically.
 
In class on Tuesday, we will discuss how to write an introduction.

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Assignment

Choose your favorite piece of evidence.
Write a body paragraph. A complete body paragraph.
Your work will be judged (evaluated) using the attached rubric (which you have seen before!).
In class, we will look at your work and you will write another body paragraph.

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Assignment

You will bring a two-page typed and printed piece of work to class.
 
Bring to class--typed up and printed AND SAVED in google.docs or on a flashdrive or in your email--five pieces of evidence from different parts of Wuthering Heights which all circle around one idea or are connected in some way.
 
Type out EACH entire piece of direct textual evidence. Number each piece.
Then write a paragraph of at least 250 words in which you explain to the best of your ability how all five piece of evidence connect. This paragraph can be as ugly as my big toe (without the nail polish), but you must write something.
At the top, write a working title.
 
The grade for this work--an "effort-grade" really--will go in your writing/test grade that is such a BIG chunk of your overall grade. I am looking for seven distinct "things:" five distinct pieces of evidence, one paragraph, and one title.
 

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Finish reading Wuthering Heights. Prepare for Socratic Seminar.

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Read to the end of chapter 33--page 356--in Wuthering Heights.

Take two pages of Cornell notes on at least three of the nine passages on the handout.

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Read to the end of chapter 27--page 303--in Wuthering Heights.

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Read to the bottom of page 234 in Wuthering Heights. I know--it is a weird place to stop.

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  1. Socratic Seminar on Wednesday on the passages from the notes for chapters 16-17.
  2. I expect to see copious notes on the handout.
  3. I will probably use this seminar as a test grade.

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Read to the end of chapter eighteen (page 217) in Wuthering Heights.
Prepare the passages that you are responsible for from the handout for chapters 12-15.

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Read to the end of chapter 14 in Wuthering Heights.

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Read to the end of chapter ten in Wuthering Heights.

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Read chapters seven and eight in Wuthering Heights--pages 55-79 in the Signet edition.

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Read chapters 1-6 in Wuthering Heights-- take 2 sides of a page of notes. 

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Earn your way to "No On-Demand Essay" with a stellar performance as a whole class during Socratic Seminar on Tuesday.

Prepare two (2) whole pages of notes (two sides really) in response to the following prompts (see below as well). 

1.      Writers spend long months, even years, carefully crafting the texts which they write. Every decision that they make about their writing is intentional. Consider the ending of the text which you read. (By ending, I mean the last five to ten pages.) Please offer an argument about what the author may be trying to achieve through the specific ending he/she chose to write. Make sure that you include specific examples and/or direct textual evidence in your essay. 

2.      Injustice, either social or personal, is a common theme in literature. Choose a novel or a play in which injustice is important. Write an essay in which you define clearly the nature of the injustice and discuss the techniques the author employs to elicit sympathy for its victim or victims. 

3.      Writers often highlight the values of a culture or a society by using characters who are alienated from that culture or society because of gender, race, class, or creed. Choose a play or a novel in which such a character plays a significant role and show how that character’s alienation reveals the surrounding society’s assumptions and moral values. 

4.      Critic Roland Barthes has said, “Literature is the question minus the answer.” Choose a novel or a play and, considering Barthes’ observation, write an essay in which you analyze a central question the work raises and the extent to which it offers any answers. Explain how the author’s treatment of this question affects your understanding of the work as a whole. Avoid mere plot summary. 


Due:

Assignment

Turn to page 22 in Tess. Consider the scene in which Prince is killed.

Please write a carefully-crafted paragraph response in which you offer an argument about why this image--of Prince's death-- is significant?

Refer to the notes we took in class. Yes, this work must be typed.
Remember:
In your response, please make sure that you use the following structure.
  1. Offer a claim/argument about why the image is significant. (Feel free to use mine--feel free to rewrite it.)
  2. Make sure that carefully describe the image so that the reader's understanding of the image is rich and "complicated." In this description, you will "naturally" provide context.
  3. Connect your assertions about the significance of this image to the image itself. Use a combination of your own assertions as well as restatements (70%) and direct quotation (30%).
  4. Finally, directly or obliquely make a connection with your original claim—the sentence with which you began your short response.

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Assignment

Write up the significant passage assignment--yes, the writing is beginning.

Why is this passage significant?

1.      Choose a passage—one that has not appeared on any handout—from anywhere in the text.

2.      Write a typed response in which you explain why the passage is significant.

3.      Type the passage out at the top of the page, so I can easily review the text about which you have chosen to write. 

4.      Remember:

In your response, please make sure that you use the following structure.

1.        Offer a claim/argument about why the passage is significant.

2.        Provide context for this passage.

3.        Discuss the meaning of the passage by using a combination of your own restatement (70%) and direct quotation (30%).

4.        Focus in on the single word or short phrase which most powerfully constructs meaning—on which the entire passage “hinges.” Suggest why this word or phrase is so important to the meaning or significance of the whole.

5.        Finally, directly or obliquely make a connection with your original claim—the sentence with which you began tour short response.

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Assignment

Read to the end of chapter 56--page 309--in Tess of the D'Urbervilles. We will read the final pages together in class on Tuesday. If you read ahead, don't tell anyone how it ends!!!!!

Type up your response to your assigned "Image or Gesture." See below for an electronic copy of the handouts.

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Assignment

Read to the end of chapter 51--page 289--in Tess of the D'Urbervilles.

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Read to the end of chapter 46 -- page 261 -- in Tess of the D'Urbervilles.

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Read to the end of chapters 39--page 213--in Tess of the D'Urbervilles.

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I thought of something about this extra credit question:
"Every see-saw of her breath, every wave of her blood, every pulse singing in her ears, was a voice that joined in nature in revolt against her scrupulousness” (142).
What exactly is almost persuading Tess to say yes to Angel?
 
Lots of students wrote that "nature" is persuading Tess to say yes.
Aren't the birds & the bees part of nature?
Have you ever heard the expression, "it's time to talk to little Jose about the birds and the bees"?
 
Hmmmmmm.....
 
Read to the end of chapter 34 (page 181) in Tess of D'Ubervilles.

Remember: on Thursday during tutorial the men will "do" page two and the women will "do" page three.
We will do pages 1 and 4 together.

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Assignment

Read to the end of chapter 29 (page 147) in Tess of D'Ubervilles.


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Read to the end of chapter 22--page 112 in the Dover edition of Tess of the D'Ubervilles.
Prepare the notes for chapters 13-18.

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Read in Tess of the D'Urbervilles to the end of chapter thirteen--page 68.
Be prepared for a reading quiz.

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Read chapters 1-4 in Tess of the D'Ubervilles.
See the notes below.

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Assignment

Rewrite your introduction.

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Guess what I just wrote? A model introduction for a The Catcher in the Rye essay (356 words).
Yep, we will take a look at that in class on Thursday.

And guess what I also wrote?!!! An explication of the first two stanzas of the poem "Funeral Blues." Which pretty much means that you will write--as a quizzy sort of testy sort of writing thing--an explication of the last two stanzas. Come prepared. Take lots of notes on the last two stanzas of the poem. Work the poem. Think!!!

You will do great, and if not, there are always extra credits essays you can write!!
By May, you will be a writing god or goddess....

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Assignment

This work must be typed.
 
Choose one of the two prompts. Write the introduction you would write if you were writing the entire essay. Identify three pieces of evidence which you could use to support your claim.
 
In other words: write a one paragraph introduction (which must have a claim that has been thoughtfully discussed).
List (copy out with page numbers) the three pieces of direct textual evidence that allow you to make such a claim.
 
You will be graded according to the quality of your introduction and the legitimacy of your evidence.

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Assignment

Write a page-long semi-formal response to the passage you chose.
You may use the "I."
Try and explain why this passage is important to you and what you think it signifies; you don't have to "do" analysis, but you probably will without realizing it.

Write the passage at the top of the page so I know what you are writing about.

This first assignment helps me get to know you and your writing style and your thoughts.
I will be looking for the good!

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Assignment

How nice to see you all today!! I have already had so many of you as students in English 10 and the rest of you I feel like I know already because you had Mr. Keller--and if you don't fit into either category, how delightful: you will be a wonderful new student for me to meet and get to know.

Reread pages 155-156 in Catcher in the Rye --there seems to be some very important information here.
 
Find the single passage from the entire book that seems most important to you.
COPY IT OUT -- so that we can share them.
 
See you Wednesday!  :)  I am jazzed!